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Museum Entrance
12/20/2014 To 12/31/2014
Big Bambú will be closed on rainy days or when the installation is wet. Tickets to Big Bambú purchased in advance will be refunded; tickets to the Museum are valid for two years from the date of purchase. User GuidelinesEntrance to the installation requires an additional fee:IS 10 for an adultIS 5 for a child or senior citizenMembers enter free of charge.Space is limited for each time slot; entrance will be permitted only for the time slot marked on your ticket.Please respect the following guidelines:Entrance to the installation is prohibited for children under age 6. Children aged 6–13 must be accompanied by an adult, with a limit of 2 children per adult.Entrance is prohibited to pregnant woman, and people who suffer from dizziness, epilepsy, or acrophobia; entrance after the consumption of alcohol is prohibited.Entrance in high-heeled shoes or flip-flops is prohibited. Climbing and walking around the instillation is permitted only along the designated paths and while holding the hand-rail. Consumption of non-alcoholic drinks, in plastic bottles of up to half a liter, is allowed only on the balconies within the installation.All visitors must follow the instructions given by the guards; anyone failing to do so will not be permitted to climb the installation.Visitors in wheel chairs may view the installation at the specifically designated section.Smoking anywhere in or around the installation is prohibited.Visitors to the installation are required to be cautious and comply with the safety guidelines. Entrance to the installation area is the sole responsibility of the visitor.  
Big Bambú
Big Bambú will be closed on rainy days or when the installation is wet. Tickets to Big Bambú purchased in advance will be refunded; tickets to the Museum are valid for two years from the date of purchase.

User Guidelines

Entrance to the installation requires an additional fee:

IS 10 for an adult

IS 5 for a child or senior citizen

Members enter free of charge.

Space is limited for each time slot; entrance will be permitted only for the time slot marked on your ticket.

Please respect the following guidelines:

  • Entrance to the installation is prohibited for children under age 6. Children aged 6–13 must be accompanied by an adult, with a limit of 2 children per adult.
  • Entrance is prohibited to pregnant woman, and people who suffer from dizziness, epilepsy, or acrophobia; entrance after the consumption of alcohol is prohibited.
  • Entrance in high-heeled shoes or flip-flops is prohibited.
  • Climbing and walking around the instillation is permitted only along the designated paths and while holding the hand-rail.
  • Consumption of non-alcoholic drinks, in plastic bottles of up to half a liter, is allowed only on the balconies within the installation.
  • All visitors must follow the instructions given by the guards; anyone failing to do so will not be permitted to climb the installation.
  • Visitors in wheel chairs may view the installation at the specifically designated section.
  • Smoking anywhere in or around the installation is prohibited.
  • Visitors to the installation are required to be cautious and comply with the safety guidelines. Entrance to the installation area is the sole responsibility of the visitor.

 

 

12/21/2014 To 12/31/2014
Battle of the GiantsPerformance based on the Maccabean revolt andthe battle against the Greeks with a contemporary take. With acrobaticbreak-dancers combining street jazz, Capoeira and rhythmic freestyle,  agreat time for the whole family.In the Springer Auditorium
Breakdance Battle of the Giants

Battle of the Giants
Performance based on the Maccabean revolt andthe battle against the Greeks with a contemporary take. With acrobaticbreak-dancers combining street jazz, Capoeira and rhythmic freestyle,  agreat time for the whole family.
In the Springer Auditorium

12/21/2014 To 12/23/2014
Roy AssafDec 23, 2014Five girls in 50s-style red bathing suits in a dance work with gestures, glances, and movement that seem to have been taken from a repertoire of the time that were preferred by men in the glory days of Hollywood.  The dance becomes a song of praise to femininity and feminine power, while undermining the first impression of the dancers as interchangeable cut-outs.Roy Assaf is a dancer and choreographer.  He was born and raised in Moshav Sde Moshe and started dancing at 16 in Kiryat Gat.  In recent years his choreographic works have drawn great attention to great acclaim and are performed in leading dance venues.   
GIRLS

Roy Assaf

Dec 23, 2014

Five girls in 50s-style red bathing suits in a dance work with gestures, glances, and movement that seem to have been taken from a repertoire of the time that were preferred by men in the glory days of Hollywood.  The dance becomes a song of praise to femininity and feminine power, while undermining the first impression of the dancers as interchangeable cut-outs.

Roy Assaf is a dancer and choreographer.  He was born and raised in Moshav Sde Moshe and started dancing at 16 in Kiryat Gat.  In recent years his choreographic works have drawn great attention to great acclaim and are performed in leading dance venues.

 

 

 

12/23/2014 9:00 PM
Oded Graf, Yossi BergDec 30, 2014Yossi Berg and Oded Graf’s dance combines movement, song, and text to the sounds of Johann Sebastian Bach. This dark  humor fantasy has been performed around the world.  Four men seek to discover the ultimate manly man and then question whether such a thing even exists. The two choreographers started working together in 2005, each bringing an international career and his own mature individual voice. Their prize winning works are performed in Israel on premier dance theaters  and at important festivals.
4 Men, Alice, Bach and the Deer

Oded Graf, Yossi Berg

Dec 30, 2014

Yossi Berg and Oded Graf’s dance combines movement, song, and text to the sounds of Johann Sebastian Bach. This dark  humor fantasy has been performed around the world.  Four men seek to discover the ultimate manly man and then question whether such a thing even exists.

The two choreographers started working together in 2005, each bringing an international career and his own mature individual voice. Their prize winning works are performed in Israel on premier dance theaters  and at important festivals.

12/30/2014 9:00 PM
Museum entrance 2015
1/1/2015 To 12/31/2015
Shlomit FundaminskyJan 6, 2015Fundaminsky created La Davina at the invitation of the Mandel Cultural Center in Jaffa, the center for fringe opera. The dance was inspired by the legendary opera singer Maria Callas and her life, showing the extremes of glory, fame, and public admiration against loneliness and heartbreak. The solo dance examines the special stage presence and vocal virtuosity of the singer and translates them to a new language of movement.  iWomanA new duet created in cooperation with choreographer Einat Ganz and composer Dganit Elyakim. The work was first performed in the composer-choreographer project 2014, in the Teiva (Box) auditorium in Jaffa.“We take the time, in every meeting, to repeat the following mantra: I am perfect. I am strong. I am a woman. I can. I was. I will be."  Avigail Hagar.Shlomit Fundaminsky studied dance at the Kibbutizim College of Education, multi-disciplinary art at Tel Aviv University, and physical theater studies at Haguf Theatre School.  She teaches dance and has created independently since 2001, and is invited to perform in festivals world-wide. Fundaminsky was awarded the Israeli Minister of Education and Culture Prize for a Young Choreographer Award for 2005.     
La Divina & iWoman - Shlomit Fundaminsky

Shlomit Fundaminsky

Jan 6, 2015

Fundaminsky created La Davina at the invitation of the Mandel Cultural Center in Jaffa, the center for fringe opera. The dance was inspired by the legendary opera singer Maria Callas and her life, showing the extremes of glory, fame, and public admiration against loneliness and heartbreak. The solo dance examines the special stage presence and vocal virtuosity of the singer and translates them to a new language of movement. 

 

iWoman

A new duet created in cooperation with choreographer Einat Ganz and composer Dganit Elyakim. The work was first performed in the composer-choreographer project 2014, in the Teiva (Box) auditorium in Jaffa.

“We take the time, in every meeting, to repeat the following mantra: I am perfect. I am strong. I am a woman. I can. I was. I will be."  Avigail Hagar.

Shlomit Fundaminsky studied dance at the Kibbutizim College of Education, multi-disciplinary art at Tel Aviv University, and physical theater studies at Haguf Theatre School.  She teaches dance and has created independently since 2001, and is invited to perform in festivals world-wide. Fundaminsky was awarded the Israeli Minister of Education and Culture Prize for a Young Choreographer Award for 2005.

 

 

 

 

 

1/6/2015 9:00 PM
In Two-Room Apartment, Niv Sheinfeld and Oren Laor stage their own relationship both as a couple and as artists. They explore both tangible boundaries, like those of territories, or between two rooms, but also with intangible boundaries such as  between life and performance, as well as those set by the individual himself.This is a new interpretation based on the original Two Room Flat by Nir Ben Gal and Liat Dror from 1987.
Two Room Apartment - Niv Sheinfeld & Oren Laor
In Two-Room Apartment, Niv Sheinfeld and Oren Laor stage their own relationship both as a couple and as artists. They explore both tangible boundaries, like those of territories, or between two rooms, but also with intangible boundaries such as  between life and performance, as well as those set by the individual himself.
This is a new interpretation based on the original Two Room Flat by Nir Ben Gal and Liat Dror from 1987.
1/13/2015 9:00 PM
Avi Kaiser andSergio AntoninoJan 20, 2015A dance which erases the distance between the audience and dancer, in which both viewer and space directly affect the performance: a singular event orchestrated by elements of place, time, and of those present. Israeli-born Avi Kaiser, graduate of the Bat-Dor Company school, Batsheva Dance Company and has years of choreography and teaching experience in Europe and the US in top dance academies and institutions.  In 2002, Kaiser and Antonino started working together and founded The Roof in Duisburg, Germany. Sergio Antonino was born in Italy where he studied and started off as a dancer and choreographer.
At Your Place - Avi Kaiser & Sergio Antonino
Avi Kaiser andSergio Antonino
Jan 20, 2015

A dance which erases the distance between the audience and dancer, in which both viewer and space directly affect the performance: a singular event orchestrated by elements of place, time, and of those present.
 
Israeli-born Avi Kaiser, graduate of the Bat-Dor Company school, Batsheva Dance Company and has years of choreography and teaching experience in Europe and the US in top dance academies and institutions.  In 2002, Kaiser and Antonino started working together and founded The Roof in Duisburg, Germany.
 
Sergio Antonino was born in Italy where he studied and started off as a dancer and choreographer.
1/20/2015 9:00 PM
Idan SharabiJan 27, 2015“Over recent years I have been researching the concept of ‘home’:  what is home? Where is one from and where does one live? Does one feel at home where one is? The range of allusions of home allow me to explore adjacent fields: origin, identity, society, body etc., and  to think abolut connections to occupation, objects, family, language, love and pain.Idan Sharabi is a graduate of the Thelma Yellin High School for the Arts graduate and the Julliard School, New York.  He danced with the Batsheva Dance Company and the Nederlands Dans Theater. Sharabi has been awarded numerous prizes in Israel and abroad. In 2012 Sharabi founded the Idan Sharabi and Dancers Group and he appears with them on stage in Israel and throughout  the world. 
Makom - Idan Sharabi
Idan Sharabi
Jan 27, 2015

“Over recent years I have been researching the concept of ‘home’:  what is home? Where is one from and where does one live? Does one feel at home where one is? The range of allusions of home allow me to explore adjacent fields: origin, identity, society, body etc., and  to think abolut connections to occupation, objects, family, language, love and pain.

Idan Sharabi is a graduate of the Thelma Yellin High School for the Arts graduate and the Julliard School, New York.  He danced with the Batsheva Dance Company and the Nederlands Dans Theater. Sharabi has been awarded numerous prizes in Israel and abroad.

In 2012 Sharabi founded the Idan Sharabi and Dancers Group and he appears with them on stage in Israel and throughout  the world. 

1/27/2015 9:00 PM
Feb 3, 2015Hillel Kogan. WeLove ArabsWe Love Arabs is aduet lasting 35 minutes. In this work the Jewish dancer explains to the Arabdancer the secrets of dance, wisdom, hummus and physical friction. Hillel Koganpresents a dance work showing an Israeli choreographer who wants to stage awork carrying a message of coexistence between Jews and Arabs. This satiricalpiece examines whether art has the ability to engage in societal questions.  “This is, no doubt, the most creative,courageous political dance that was created here in recent years….” Tzvi Goren,director Hillel Koganstudied in the Bat-Dor dance studio and in the Merce Cunningham Dance Companyin New York. He danced with the Batsheva Dance Ensemble, with the Nomad DanceAcademy in Switzerland, and with the Gulbenkian Ballet of Portugal.  Since 2005, Kogan works with the BatshevaDance Company and leading dancers in Israel, as a dancer, dramaturg, andchoreographer.  Alongside the many grantsand prizes Kogan has earned in Israel and abroad, he was recognized as theOutstanding Creator of 2013 by the Israeli Dance Critics Circle, and the mostpromising creator of 2014 by the European monthly “tanz.” Noa ZukDoom-Doom LandDoom-Doom Land isa pas-de-deux that examines the relationship between movement and sound, creatinga new world of gestures, customs and language. The dance work had its debutperformance in the context of International Dance Week and was produced as afull-length dance in December, 2013.
Doom Doom Land / We Love Arabs

Feb 3, 2015

Hillel Kogan. WeLove Arabs

We Love Arabs is aduet lasting 35 minutes. In this work the Jewish dancer explains to the Arabdancer the secrets of dance, wisdom, hummus and physical friction. Hillel Koganpresents a dance work showing an Israeli choreographer who wants to stage awork carrying a message of coexistence between Jews and Arabs. This satiricalpiece examines whether art has the ability to engage in societal questions.

 “This is, no doubt, the most creative,courageous political dance that was created here in recent years….” Tzvi Goren,director

 

Hillel Koganstudied in the Bat-Dor dance studio and in the Merce Cunningham Dance Companyin New York. He danced with the Batsheva Dance Ensemble, with the Nomad DanceAcademy in Switzerland, and with the Gulbenkian Ballet of Portugal.  Since 2005, Kogan works with the BatshevaDance Company and leading dancers in Israel, as a dancer, dramaturg, andchoreographer.  Alongside the many grantsand prizes Kogan has earned in Israel and abroad, he was recognized as theOutstanding Creator of 2013 by the Israeli Dance Critics Circle, and the mostpromising creator of 2014 by the European monthly “tanz.”

 

Noa Zuk

Doom-Doom Land

Doom-Doom Land isa pas-de-deux that examines the relationship between movement and sound, creatinga new world of gestures, customs and language. The dance work had its debutperformance in the context of International Dance Week and was produced as afull-length dance in December, 2013.

2/3/2015 9:00 PM
Yasmeen GodderFeb 10, 2015Yasmeen Godderreturns to physical and emotional material taken from her personal archive ofcreations over the last 15 years. Through them she re-examines her portrait asa performing artist.  She intends toreveal, to play, and to display the body's desire to lose strength, to loseshape, to give up on ambitions, and to expose weakness. Godder joins thepianist Matan Daskal and the viola player Moshe Aharonov on stage, who playworks by contemporary composers as part of the unique soundtrack of the dance.The musicians’ presence on stage changes constantly, and Godder exposes layersof broken identity. It is unclear whether the musicians are working with her oragainst her.  Despite the very personalcreation, she expresses the larger picture of the national-societal need toovercome weakness, and emphasizes the return to existential fear to prevent it.
Lie Like a Lion - Yasmeen Godder

Yasmeen Godder

Feb 10, 2015

Yasmeen Godderreturns to physical and emotional material taken from her personal archive ofcreations over the last 15 years. Through them she re-examines her portrait asa performing artist.  She intends toreveal, to play, and to display the body's desire to lose strength, to loseshape, to give up on ambitions, and to expose weakness.

 

Godder joins thepianist Matan Daskal and the viola player Moshe Aharonov on stage, who playworks by contemporary composers as part of the unique soundtrack of the dance.The musicians’ presence on stage changes constantly, and Godder exposes layersof broken identity. It is unclear whether the musicians are working with her oragainst her.  Despite the very personalcreation, she expresses the larger picture of the national-societal need toovercome weakness, and emphasizes the return to existential fear to prevent it.

2/10/2015 9:00 PM
Dafi AltabebFeb 7, 2015 “I, in matters ofsensitivity to heat I don’t have any. I can hold ascorching hot cup in my bare hands and it would feel pleasant.I shower in asteaming hot water, any less and it would feel lukewarm. Everything about mehas always and ever been about feelings, extreme feelings.” Dafi Altabeb The workSensitivity to Heat deals with the basic need for human contact. The creator seeksto give personal expression to the dancers, while creating a meeting point fora range of types of touch: weak, strong, superficial, temporary, permanent,single gender or bisexual, loving or indifferent.  The work meanders from humor to sadness, fromsolo to duet, trio, and quartet. The ‘fourth wall’ separating the public fromthe dancers is broken and the dancers turn to the audience with question andsometimes offer a strong hand or close hug.  The world premierwas performed at the archaeological site of the ancient Roman amphitheater inNaples by invitation of the "Napoli Theatro Festival" in 2012 and inconjunction with internationally covered events in 2011. Dafi Altabeb hasbeen creating dance works since 2005. Her works are regularly performed onprofessional stages in Israel and the world. Altabeb is the artistic directorand choreographer of the Dafi Dance Group together with Nini Moshe, her artistic partnerand life partner. She has won the Israeli Ministry of Culture Excellence Awardfor young choreographers for 2012 and 2013 and the Rosenblum Award forExcellence from the Municipality of Tel-Aviv for 2014.
Sensitivity to Heat - Dafi Altabab

Dafi Altabeb

Feb 7, 2015

 

“I, in matters ofsensitivity to heat I don’t have any.

I can hold ascorching hot cup in my bare hands and it would feel pleasant.

I shower in asteaming hot water, any less and it would feel lukewarm. Everything about mehas always and ever been about feelings, extreme feelings.” Dafi Altabeb

 

The workSensitivity to Heat deals with the basic need for human contact. The creator seeksto give personal expression to the dancers, while creating a meeting point fora range of types of touch: weak, strong, superficial, temporary, permanent,single gender or bisexual, loving or indifferent.  The work meanders from humor to sadness, fromsolo to duet, trio, and quartet. The ‘fourth wall’ separating the public fromthe dancers is broken and the dancers turn to the audience with question andsometimes offer a strong hand or close hug.

 

The world premierwas performed at the archaeological site of the ancient Roman amphitheater inNaples by invitation of the "Napoli Theatro Festival" in 2012 and inconjunction with internationally covered events in 2011.

 

Dafi Altabeb hasbeen creating dance works since 2005. Her works are regularly performed onprofessional stages in Israel and the world. Altabeb is the artistic directorand choreographer of the Dafi Dance Group together with Nini Moshe, her artistic partnerand life partner. She has won the Israeli Ministry of Culture Excellence Awardfor young choreographers for 2012 and 2013 and the Rosenblum Award forExcellence from the Municipality of Tel-Aviv for 2014.

2/17/2015 9:00 PM
עד אשר נמצא מקום: על המעגל באמנות המחול בישראלבמסגרת התערוכה יועלו במוזיאון מופעי מחול של יוצרים
Paintings in an Exhibition - Renana Raz

עד אשר נמצא מקום: על המעגל באמנות המחול בישראל

במסגרת התערוכה יועלו במוזיאון מופעי מחול של יוצרים
2/24/2015 9:00 PM